Showing posts with label PPM. Show all posts
Showing posts with label PPM. Show all posts

March 10, 2011

SILK FLOWERS - "Ltd. Form" LP (PPM)


  Brooklyn's Silk Flowers return in full bloom, with their second full length, Ltd. Form.Straying away from the ominous, cold-wave blankness of their previous work, Silk Flowers deliver an album's worth of full-bodied synth-pop jams, and pastoral whatever-wave bliss.The album opens with three beat-driven instrumentals, prominently displaying their ability to create rich textures, deep chord structures and some rather impressive sequencing.It's not until the attention-grabbing "Fruit Of The Vine", that the vocals make their first appearance.The song thumps along steadily, with a tuneful chord progression that somewhat resembles Air's "sexy boy".Aviram Cohen's deep, straight-faced vocals sink down beneath the swirling synths, like an ironic, yet appropriate Ian Curtis impression.Although this ancient style of singing can sound dull and rather disinterested, Cohen's range has opened up quite a bit since we last heard him, and his gloomy voice manages finds it's rightful place within the new found complexity of his songs.Album closer, "A Brush Through The Dust" shows the Flowers in full stride, with it's soaring analog pulses and layers of trickling melodies.Cohen's words are loose, yet his lines stick right on point, backed by a staggering beat straight from the Factory Records back catalog.A fresh and tasteful take on a rather overpopulated genre.Recommended.

June 26, 2010

ERIC COPELAND - "DOO DOO RUN" 7" (PPM)


  After what seems like an eternity,Eric Copeland is back with another sample-fest of twisted psychedelia.It seems that with every release,he strays from the experimental sound collage of his main vehicle, -Black Dice, and pushes for a more accessible, song based approach.Such is the case with his newest single - Doo Doo Run.Two new songs,and some amazing cover art by Eric, as usual.The title track is definitely the weirder of the two.Doo Doo Run is staggering dub dirge,with whirring synths and incoherent slurs that are drowned in a fair amount of tempo tweaking.You can hear the ghost of a vintage dance hall sample trying to push it's way through the haze,but it never quite makes it out.His ability to bind these very styles into a somewhat cohesive product is impressive.
 
  The b-side takes Copeland's style in a fresh and easily palatable direction.An upbeat and extremely catchy weirdo-pop tune called Fun Dink Death.A bright and danceable drum machine provides the perfect backdrop for his distorted vocals, playful guitar samples,and homemade electronics.It's got some breezy acoustic guitar melodies floating in near the middle of the song,that accompany the laid back vibes perfectly.This is the highlight of the record indeed,and you will probably see remixes of this surface before too long.Another nice little treat from Mr.Copeland.Awesome.
MJO