Showing posts with label Pop. Show all posts
Showing posts with label Pop. Show all posts

February 27, 2011

ETERNAL TAPESTRY "Beyond the 4th Door" (Thrill Jockey)


 Chicago's Thrill Jockey imprint has always been 10 steps ahead of themselves, with an ever growing roster of experimental pop and avant-garde's most prolific acts of today.In the last two decades they've given us The Sea and Cake, Tortoise, Pit Er Pat, Trans Am, and a slew of other household names, as well as blossoming young acts like Mi Ami, Arbouretum, Pontiak, and High Places.They've become quite a figurehead in underground music, and seem to be diving a bit deeper into obscurity with each release, with the recent addition of Daniel Higgs, Barn Owl, and Boredoms their family.Portland's Eternal Tapestry are one of their newest and most promising foster children, with a number of well received tape and vinyl releases under their belt.Sharing ex and current members with Plankton Wat, Edibles, Jackie-O-Motherfucker, Cloaks, and Heavy Winged, this group of psych-visionaries are no strangers to sonic experimentation, and have given Thrill Jockey their most focused and compelling opus to date.

 Behind the 4th Door contains five epic movements in just over 40 minutes, just as you've come to expect from E-Tap.Fans of their last two scorchers, 2009's "The Invisible Landscape" and "Palace of the Night Skies" will no doubt get their fix of pummeling guitar chops and pounding drums, but they've taken a chunk of their patented Zeppelin-esque freak outs, and transformed them into sprawling, radiant beauty.Unlike the aforementioned, Behind..takes a somewhat different path into the psych abyss, as they've an entirely new environment for their loose guitar improvisations to run free.Now, these aren't the typical, mindless "stoner jams" that are so easily forgotten, although they've certainly been tagged with the term a countless number of times.Whether or not they'd ripped a 10 foot bong before heading into the studio, E-Tap confidently display a style of improvisation that is just as controlled and focused, as it is sporadic and random.There's obviously a strong connection between this talented bunch, as their blinding chemistry shines brightly within the swell of each movement.

 The album's opening track, "Ancient Echoes" seems to set a pleasant and inventive tone for the entire record, with it's distant guitar noodling and slow moving drum sweeps and creeping bass.The addition of breathy, subtle vocals gives the song a bit more depth, and meaning.Although the words are unclear, it's a rather nice touch.As the album slowly rolls on, the moods shift from dark, brooding echoes, to bright and gentle clarity.The band shows us their eternal lust for heavy riffing and crashing drums, with the 7+ minute "Galactic Derelict".The song chimes in with a low, buzzing riff and staggering drums, as the two axe men burn through just about every effects pedal and guitar manipulation out there.A saxophone wails off in the distance, and accompanies the low end perfectly.As the percussion starts to pound away a bit louder, a heavy chord repeats and holds things together, as the other guitar builds up with a bendy, repetitive run.It sounds like they're both stumbling uphill from opposite sides, unaware of the other's existence.When the two finally meet at the top, they blindly collide head first, to form a vibrant, soaring harmony, loosely intertwined yet calculated, and gives the song an exhilarating finish, and the album is only half way gone.The closing track, clocking in at just over 12 minutes, is a  patient, and slowly burning tune called "Time Winds Through a Glass, Clearly".It carefully swims through a sea of layered guitar drones, and organ pulses, with each instrument taking their turns in the foreground at random.Just as you think you've figured out where it's all heading, things pick up and head in the other direction, with an unexpected key change.This reminds me of Grails' blackened post-rock, with that underlying world music influence hiding deep withing it's core.You will most likely find a handful of similarities between E-Tap and your favorite modern and/or classic psych-rock outfits, but this one delivers quite generously, and offers new discoveries with listen.Highly recommended.
 Practice your levitation skills to the "Galactic Derelict" video, below.

October 12, 2010

UNWELCOME GUESTS - "Don't Go Swimmimg" lp/cd (Kiss of Death)


  I will have to admit, when I was given this record I looked it over inside and out, I kind of gathered that I'd be bopping along to some mediocre, modern pop-punk record soon enough, and I was exhausted at just the thought of that.Little did I know what kind of awesomeness lie in wait.
  But by the time the first track had ended,I felt like a total asshole.These New Yorkers are a really amazing band.The first thing that reeled me in was the insanely great songwriting, although it turns out that this IS indeed a modern pop-punk record in hindsight, but there is so much more going on here.Everything is in it's place, yet they don't sound too polished or full of studio tricks.The vocals are clean and warm,and somehow everything that leaps from Micah Winship's mouth comes off as brutally honest and direct.At times,I got a Jawbox vibe from this, mainly in their crisp guitar tone and the way the bright harmonies all connect so well.The drumming is tight and right where it should be, and rides along steadily with the dense bass lines.The two are constantly locking up,creating a solid canvas for some really great melodies.I hear a lot of things in these songs that I love,or have loved at one time.
You might also pull some early 90's indie/punk worship out of Unwelcome Guests, like The Promise Ring, Knapsack, and the kinder Descendants jams, but it's hard to pin exactly what makes these boys tick.
  The lyrics are quite sincere and nothing is overtly tongue-and-cheek.The songs on this particular record deal with new found love,and of course lost love,good friends and shitty friends,and the ultimate questions,what happens next?All of these themes can be easily applied to your current situation in life,and I think that's what good pop songs are made for.I particularly fancy the line "It's the same damn scene..everywhere." from the title track.In a tuneful but cynical voice, Winship speaks of burnt out scenes and just trying to hang in there until something good comes along again.I think anyone in their early to mid thirties can relate to this kind of thing.In fact, I have my own stupid hangups with the current music trends and all of the rehashing going on has made me rather weary of certain genres and even labels as a whole, especially in the current local punk community.I can thank Unwelcome Guests for somewhat restoring my faith in good punk songs, and have got me singing along in the car again.It's nice to hear a record that you don't have to spin 10 times before you can actually figure out what's going on.This was quite an unexpected surprise,and I am really looking forward to hearing more from them.Highly recommended.

July 6, 2010

Critter Love: BEKO DIGITAL SINGLES LABEL


   Allow us a moment to tell you about one of our very favorite labels going right now,BEKO.
They are a digital only online singles label from France, and they are just wonderful.They add a new single every Monday,and they are totally free to download!There is quite an eclectic range of awesome sounds buried within their vast catalog,and their minimal,cohesive cover art is fantastic as well.Releasing everything from French pop to ambient noise, to cold wave, no wave and lo-fi bedroom projects.And that's just the beginning.Beko definitely has something for everyone,and no one.They just released two killer box sets called Beko Box 1 and 2.I suggest you head over to their site and get them ASAP.Then download everything else they have to offer.Long live Beko.
MJO

May 10, 2010

SUN ARAW - "On Patrol" LP/CD (NotnotFun)



When I first heard this dude a few years back,i was pretty skeptical of what i might find in this stuff,considering his semi-clever/goofy moniker and album titles.But alas,you cannot judge a book...yea.After a handful of releases on various indie tape labels etc,Sun Araw(Cameron Stallones)has totally perfected his craft.The songs on "On Patrol" are solid as ever,and more cohesive and dare i say "accessible" than previous efforts.And there are alot of them.He is a long time collaborator and ex-member of LA's Pocahaunted,and current guitar man for Long Beach psych outfit -Magic Lantern.Both are worth looking into for sure.Pocahaunted's new LP "Make It Real" is amazing.A great new direction for them.

Right off the bat On Patrol floats us into heady dub and psych territories that you might expect from him.Noodling reverb-soaked guitars,thick dubbed out bass lines,echoed voices and spacey synth washes...it's all here.But something is different.What is this awesome clarity?Production value?These are not-so-familiar terms with Sun Araw,being known (and adored) for his cavernous recording style and low low fidelity sound.But this new found clarity works wonders for these songs,and still retains a nice lo-fi,bass heavy feel,it's just more up front and present here.Utilizing a ton of instruments that includes,but is not limited to guitar,bass,congas,bells,woodwind,analog synth,drum machines,samples and voice effects,this album is layered nicely and has a very full sound.Something that I think as missing from earlier recordings.Mostly instrumental,with only a few vocal parts throughout the record,the bouncy dub jams make this a pleasant and interesting listen.I find new things in this with every play.Killer artwork to boot.WEED.

May 9, 2010

(MOSTLY RELEVANT)NEW RELEASES FOR MAY/JUNE!

MAY:,

Holy Fuck "latin" (XL)
,

* Indian Jewelry "totaled" (We Are Free),

Japandroids "no singles" (Polyvinyl),

The Dead Weather "sea of cowards" (Third Man),

* The National "high violet" (4AD),

Thee Oh Sees "warm slime" (In The Red),

Woods "at echo lake" (Woodsist),

* Zs "new slaves" (The Social Registry),

Daniel Higgs "say god" (Thrill Jockey),

Harvey Milk "a small turn of human kindness" (Hydra Head),

High Places "can't feel born" (Thrill Jockey),

Beach Fossils "self titled" (Captured Tracks),

David Cross "bigger and blakerer" (Sub Pop),

Kurt Vile "square shells EP" (Matador),

* The Ponys "deathbed+4" (Matador),

* Tobacco "maniac meat" (Anticon),

Ty Segall "melted" (Goner),

Wild Nothing "gemini" (Captured Tracks),



JUNE:
,

Active Child "curtis lane" (Filter),

Born Ruffians "say it" (WARP),

Land of Kush's Egyptian Light Orchestra "monogamy" (Constellation),

Melvins "the bride screamed murder" (Ipecac),

Television Personalities "a memory is better than nothing" (Rocket Girl),

* Ariel Pink's Haunted Graffiti "before today" (4AD),

* Blitzen Trapper "destroyer of the void" (Sub Pop),

BLK JKS "zol!" (Secretly Canadian),

Here We Go Magic "pigeons" (Secretly Canadian),

* Ratatat "lp4" (XL),

* The Pains of Being Pure at Heart "say no to love" (Slumberland),

Yo La Tengo "here to fall" (Matador),

Oval "oh" (Thrill Jockey),

Chain and The Gang "i've got privelege" (K),

Cold Cave "life magazine remixes" (Matador),

* HEALTH "disco2" (Lovepump United),

Jeff Magnum "live at jittery joe's" (American Dust),

* Psychic Ills "catoptric" (The Social Registry),

Wovenhand "the thrashing floor" (Sounds Familyre),

* Animal Collective "oddsac dvd" (Self Released),

Cap'n Jazz "analphabetapolothology" (Jade Tree),

Torche and Boris "chapter ahead being fake" (Hydra Head),

Wolf Parade "expo 86" (Sub Pop)





May 3, 2010

POCAHAUNTED - "Make It Real" LP (NotNotFun)




Amanda Brown and Bethany Cosentino are back with one BAD ASS MOTHERFUCKER of an album.This thing seriously slays.If you are somewhat familiar with any of their past releases,forget what you know about these ladies and enter this under the assumption that it's a different band.They have given us something rich and stunning here.Songwriting.I think their time spent with their other song-based projects (Best Coast,L.A. Vampires..) has rubbed off on these girls in the best way.This is what Pocahaunted really sounds like.Awesome.

Following that same semi-structured songwriting path on Passages and Chains has finally led the band to a magical place called Make It Real.They have strayed away from the long,drawn out,flat-chanted-epics that made them so lovable in the past.Here,they go for the gold with really solid song structures.Carefully meshing garage,psych,boogie,blues,and vintage rock styles into one VERY listenable record.Not to say that they don't sink into those heavy,deep drones from time to time,it just isn't the basis of these songs.The songs are really catchy,and show off the natural talents of the musicians involved,rather than relying on their effects and
production tricks.And it pays off handsomely.

With the addition of a full backing band (bass,drums,keys,guitar) Pocahaunted are now more stage-ready than ever.Their live drummer gives these songs some nice grooves and rhythm that the band may have been lacking for a while there.The bass guitar crawls right along side the percussion with a vibrant tone.The chemistry between the two really amazing.The guitars are perfect and loose,the riffs are clear,rather than drowned in reverb/delay.They've added a nice vintage organ to the mix,and it brings some serious depth to this album.Heavy on the church-like vibrato and thick chords,it reminds me of Sun Ra's random keyboard freak outs.
All of this accompanies their melodic vocal harmonies and cult-like chants perfectly.A new love for melody?Whatever the case,Make It Real is surely the most cohesive effort in the band's existence.A totally solid psychedelic R&B album.Out now.

May 2, 2010

MATRIX METALS - "Flamingo Breeze" Cassette Tape (Notnotfun)



Sam Meringue is Matrix Metals.You might know him from other projects like Explorers,Wingdings,or 90210(with James Ferraro).With MM's he makes some nice hazy,laid back electronic pop/dance jams.Remember that game Out Run?You cruised the PCH in a 1991 red Porsche convertible with the top down,and your arm around your lady.Genius.This is quite comparable to that soundtrack,but a bit more tasteful,and some modern instrumentation.SOME.A ton of samplers,vintage drum machines,and minimal synth-pulses ride along side some spacey guitar-jangle that reminds me of recent Ducktails records at times.It's fuzzy lo-fi production keeps the songs fun and charming.A nice little cassette for some beach cruising or a late night stroll with your Walkman clipped to your belt.Totally worth the 5 bucks it costs.Do I even need to tell you that it's super limited?Vinyl version on the Old English Spelling Bee label.Good luck.

April 30, 2010

EXTRA LIFE - SPLIT EP & REMIX 12" OUT SOON!!



From Charlie Looker's Blog:
Several great things happening in May. First, we're so excited to announce that Sockets Records and Planaria Recordings will be jointly releasing "Splayed Flesh", a CD EP featuring four remixes of Extra Life. The remixers are Tyondai Braxton (Battles), Caley Monahon-Ward (Extra Life), JG Thirlwell (a.k.a. Foetus), Justin Broadrick (Jesu, Godflesh)... I know! I can't wait for people to hear these. Each of the guys did something totally personal and deep with the material. The CD features an original drawing by Lauren Bahr, the wonderful artist who designed the new T-Shirts.


Also in May,
Planaria will be releasing our split 12" single with amazing Larkin Grimm . It will feature a studio recording of our cover of R. Kelly's "Your Body's Callin' ", and two new exclusive tracks by Larkin.Wonderful cover art by Sophia Dixon :


April 16, 2010

THE HORRORS - Primary Colours LP



Since when did this band get so good?They dropped the spooky,ghoulish,retro-garage shtick for some really solid,simple pop songwriting.Dark synth drones swirl around thick,spacey guitar swells,and some killer Ian Curtis-like crooning has replaced that over-the-top snarls from their past efforts.I remember hearing "She is the new Thing" a few years back,and never thinking twice about this group.This is a serious overhaul for the band,and I hope they keep doing what they are doing.File under psych/pop/goth/rock/nostalgia.TAKE A LISTEN.

March 29, 2010

DARK ENTREES - [video compilation]

Enjoy.


AUSGANG - "weight"





THE POP GROUP - "she is beyond good and evil"





BAUHAUS - "she's in parties"





PUBLIC IMAGE LIMITED - "flowers of romance"





VIRGIN PRUNES - "decline and fall"





BLANK DOGS - "scenes from a new town"





SWANS - "beautiful child"





BLESSURE GRAVE - open or shut"





ZOLA JESUS - "clay bodies"





LOVE AND ROCKETS - "so alive"





COIL - "at the heart of it all"



JOY DIVISION - "atmosphere"





SOUXSIE AND THE BANSHEES - "red light"





BLACK FANTASY - "evil places"




THE HORRORS - "sea within a sea"




THE BIRTHDAY PARTY - "i put a spell on you"





SISTERS OF MERCY - "vision thing"

March 19, 2010

WETDOG - "Frauhaus" (Angular)




Angular Records is doing some killer releases lately.They've given us Frauhaus ,Wetdog's newest album.If you heard their 2008 debut,then you have an idea of what you are getting into.But the band's wiry post-punk brilliance has severely matured since then.It's quite amazing.This is surely going to be gravely overlooked and unappreciated,especially in the US.So let me tell you a little bit about it.


Frauhaus
is likely to be described as something like "the bastard child of The Fall and Slits" or some shit..and it's absolutely true,to some extent.These songs are abrasive,fun,and full of eclectic energies.I am finding more influences in every listen.
Musically,the band reminds me of lost tracks from the Hex Induction Hour sessions,and they kinda bring the earlier Erase Errata albums to mind.Jagged guitars,are scratchy and slightly out of tune,banging out catchy riffs that don't always make sense.The bass rumble keeps it all from falling to pieces,with thick,repetitive lines that walk all over Hammond organ stabs that disappear,just as quickly as they've come into play.The interplay between this rhythm section is really kind of boggling at times.Chemistry.No shit.

The songs on Frauhaus possess a certain charm,that I think most of their current comparisons are lacking.There are some really amazing arrangements here,even if for a second or two.The vocal harmonies are nicely done,and keep the simple two note riffs fresh and interesting.There are plenty of yelps,hoots and howls all over the place,and while urgent shouts fill most of the album,they pull off some awesomely catchy chorus lines out of nowhere quite often.They will switch at the drop of a dime,and they will do it very well.Wetdog have grown into their bodies,and it doesn't at all seem forced or unnatural.

DEATH AND VANILLA - digital single (Beko)




I ran into the BEKO site by accident.Just linking up one day,and there it was.For those of you who aren't up on this label,Beko is a digital singles label.They offer up a new 1-2 song single by awesome bands you've never heard of.I listened to every release (around 30) and just about ALL of them were good.Most of their bands fall into the lo-fi pop/electro genre,bedroom type stuff.But there are some real gems,too.I will review all of them eventually,but I'll start with my favorites first.Death and Vanilla was probably the single that stuck out for me the most.According to their Myspace,which is pretty much the ONLY info i can dig up on this outfit,they reside in Malmo,Sweden,and make really great pop songs.If you run into anything I missed,please let me know!

The first song on this tiny digi-gem is a dark and hooky pop jam called "Godspeed".It starts off nicely with an eerie vibrato organ,that is reminiscent of the first Beach House record's whimsical tone.Before you know it, a short Vibraphone lick is carrying the tune,as more keys,cavernous guitar strides,and soft synths float atop a light and punchy drum-machine pulse.The music rarely ever pushes this into the red,and for the most part is pretty gentle and breezy.The vocals fit in perfectly with their surrounding elements.The majority of voices are handled by a woman,who's sweet and breathy vocal style reminds me of Stereolab's more recent, laid back tunes.Crisp and clear with a tiny hint of accent,she murmurs "go die...goodbye", and keeps it dark and fluttering all the way to the end of the song.

The b-side is a number called "Ghosts in the Machine",and offers up a bit more musically.It's got some fantastic vocal harmonies right off the bat.Subtle oohs and aahs come and go and come back again.They are the bulk of this track,and seem to glue it all together in the end.A killer Mellotron run washes over them,but doesn't drown them out,and the synths are pushed to the foreground.Live drums flesh this song out nicely,with a laid back swagger that isn't completely overbearing.
Again,the vibrato is heavy on most of the instruments,even some of the vocals are treated a bit.Ghosts..has even more of 60's pop feel,with some cool tremolo-dipped guitar twang that is kind of surf-y.Overall an excellent debut.If you want more,they have a 4 song e.p. available for download at http://deathandvanilla.bandcamp.com/.It's got these two songs as well as 2 others that are really great.Can't wait to hear more.

March 6, 2010

COSMETICS - "Black Leather Gloves" mp3 (Captured Tracks)

Cosmetics are a duo from Vancouver.They are a couple.They have an LP coming out on Blank Dogs' run -CAPTURED TRACKS label.They will also be doing some touring with Blank Dogs sooner than later.Black Leather Glove is a nice little introduction to this young band.The synth lines are not unlike Chromatics or newer Glass Candy records,but as polished and crisp.It sounds like they are playing vintage analog synths, opposed to Micro-Korgs and digital Midi programs.There is a nice little arpeggio(nerd alert!) that is pretty uplifting,and keeps this tune from drifting into total doom and gloom.

The 808 drum tone gives it a vintage,early 80's dark-wave feel without shoving it's nostalgia down your throat.There are no overbearing house/dance beats here what-so-ever,which is killing this Nu-dance craze for me personally.Vocally,Cosmetics breathe some pleasantly hushed words that are nicely out of key and off kilter.They sound a bit treated and de-tuned,but none of that over the top auto-tuning bullshit.Overall,Cosmetics don't seem to be a total downer,but it's hard to say from hearing only one track.Whatever you want to call this,I can't wait to see where they take it from here.

∆ COSMETICS ∆


March 4, 2010

WE ARE EXTRA LIFE AND WE ARE FUCKING EPIC.

EXTRA LIFE performing "run cold/pay up" live @ Silent Barn - Brooklyn,NY





EXTRA LIFE performing "I don't see it that way" @ Lewis and Clark College

February 26, 2010

THE PINK NOISE - Dream Scape LP (Sacred Bones)



Sacred Bones has been pumping out a shit-ton of great releases over the last few years.I am finding that each one is more unique and out there than the last.Not unlike label-mates Factums and Dead Luke, The Pink Noise whip up some pretty excellent lo-fi pop jams.Dream Scape recalls the kraut melodies of Neu!,and noisy electronic buzz and bleeps that Six Finger Satellite perfected a while back.These dudes are definitely down with Suicide and Chrome,too.
The songs are really cohesive synth-pop jams,with a bit of fuzz and distortion on just about everything they touch,and all but one staying under the four-minute mark.Some of this reminds me of newer Wet Hair recordings,but they know how to write a straight-forward rocker as well.For the most part Dream Scape is a pretty dark record in overall feel.There are some uplifting synth runs here and there,without making it a cutesy electro-pop affair.I'm stoked to see where these fellows are headed next.Absolutely worth looking into.Recorded in 2007.14 songs in 37:14.

January 25, 2010

BEST COAST - 7"(Black Iris)





Art Fag, the label that brought us a great four-way split earlier this year, was the home of the first 7" from Best Coast aka Bethany Cosentino. For this next pair of tracks, produced by Fool's Gold's Lewis Pesacov, she's taken musical partner Bobb Bruno and flipped over to Lewis's Black Iris imprint. The 7" features "When I'm With You" b/w "This Is Real," both of which fit nicely in the rising tide of beachy noise-pop coming from the West Coast: playfully fuzzed and pleasantly reverbed, heartbeat drums, girl group harmonies, and a fixation on California pop you don't need to skim her press materials to finger.Breeeezzzyyyyyy.

Best Coast - "When I'm With You" (MP3)

January 23, 2010

FLIGHT:Not just a popular 90's Hi-top..

FLIGHT -st 10" on Kill Shaman

This dude is making some KILLER recordings,and deserves a shit-ton of honest recognition,rather than top-ten-list hype..He's also got a hand full of singles on various labels..more info on those soon.

Mississippi’s one-man band Flight is back with his second ever release, a self-titled 10″ EP on Kill Shaman. A perfect medley of 70’s glam, 80’s punk and 60’s psych, Flight applies a fist-pumping lo-fi pop sensibility that is over-distorted, punchy, and punk as fuck. Contains four distinct tracks that completely distinct and kills the inner ear. With the volume turned up to the max, this blown-out and distorted piece of wax will be sure to please any fans of Live Fast Die, Cheap Time, Jesus and Mary Chain and anything else that shreds while maintaining a deeply seeded sense of pop-punk. Think of it as the perfect medium for early 90’s fuzz-gaze and 70’s glam punk.
Tracks:

1. Over My Head
2. My Business
3. Unpredictable
4. Molly, Don’t Fade